Q and A: Tim Gunn
Wednesday, November 24, 2010
Friday, November 19, 2010
Wednesday, November 17, 2010
Sunday, October 31, 2010
Consulting Curator, Janet Y. Larose, Esq.
Janet and Lawrence Larose are active in the art, fashion and museum communities from New York City to Portsmouth, New Hamsphire and are Strawbery Banke neighbors. The Museum is looking forward to working with this experienced team and were delighted and honored when Janet agreed to become the Consulting Curator for Passion for Fashion.
Consulting curator, Janet Y. Larose, Esq. recently contemplated the significance of fashion over time:
Fashion is a reflection of society’s lives and times. Strawbery Banke's unique textile collection spans centuries of life in New England. It provides us with insight into the customs, manners and daily existence of the individuals who lived there. By exhibiting contemporary fashions with the historical garments that provide their inspiration, Passion for Fashion gives us a new perspective into how the past influences the current. It demonstrates how, while times change, style and taste remains, and indeed abounds.
Please watch these pages for future posts from Janet.
Monday, October 25, 2010
Sarah's "Lacie" Dress
This just in--designer Sarah Beth Johnson's sketch for her formal dress design, inspired by "Lacie" from the Strawbery Banke Museum collections! Note "ballerina twist", palette, and especially the way Sarah's dress drapes, echoing the original with its cascading layers of satin and tiered lace. Further, Sarah is intrigued by the intricacies of fine boning, reflected in the snug fitting bodice and its proportions. The asymmetrical positioning of the fabrics for the skirt, in combination with the buttons, creates a flattering, feminine vision.
Original artwork by Sarah Beth Johnson, October 2010
Photograph, Ellen McDermott Photography
Design Set Up, Bridget Sciales
Photographed at Goodwin Mansion, September 2010
Sarah studies "Lacie" in the collections work room.
What do you think?
Thursday, October 14, 2010
It's all about the shoe!
It is safe to say that Silkbrocade is obsessed with this shoe! These are the most recent shots by Ellen McDermott of the Lady's London shoe by James Davis[ies], here shown with its closely matching patten (a silk was used but is slightly different than the shoe itself; the fit indicates it belonged to the same person). Collections intern, Bridget Swift will continue to assist with research on this shoemaker and his production. (Please see earlier blogs.)
Notice the way the patten changes and foreshortens the shoe in profile, and the fit to the shoe. Stunning yet functional.
Photography, Ellen McDermott
Set and Styling, Bridget Sciales
Location, Goodwin Mansion, October 2010
Mabel Decatur Storer's Wedding, Goodwin Mansion, 1884
Mabel Decatur's holiday wedding, December 30th, 1884, must have been a breathtaking event. Her creme gown, of satin silk weave, embroidered floral brocade, and silver and white embroidered thread would have shimmered in the light of the parlor of the Goodwin Mansion. The silk bodice was well-fitted with darts to hold bone stays. Most likely of imported fabric and sent up from Boston (note the original packing case for the gown). The designer was Richard M. Matthews of Boston, clearly a well-trained professional. The gown would have required at least several fittings. The shoes--astonishingly narrow- are a cream satin with all the drama focused on the bows of the same color.
Gift of Alice Decatur Armsden, #1997.167
Gown, photograph, Tara Vose
Shoes, photograph, Bridget Sciales
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